Synopsis
Ubu Rey (1896) supposes, from the modernity perspective, an absolute beginning and one of the first opened breaches in the traditional conception of theater. The absurd and the irrational are present in this work. Its protagonist, the innoble and outlandish Ubu, goes direct to the heart of the bourgeois conscience and still today he scandalizes her in his numerous representations and adaptations. This is an essential work in the modern theater by its permanent contemporary content.